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| INTERNSHIP
Contact:
Opera
Theatre of Saint Louis
Maria Schlafly, Company Administrator
Opera Theatre of Saint Louis
P.O. Box 191910
St. Louis, MO 63119-7910
Office: 314-963-4234
Fax: 314-961-7463
mschlafly@opera-stl.org
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| ABOUT
OPERA THEATRE OF SAINT LOUIS |
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| Opera
Theatre is known internationally for outstanding productions accompanied
by members of the Saint Louis Symphony Orchestra. Four operas are
presented in a festival season in May and June at the Loretto-Hilton
Center on the campus of Webster University. Distinguished members
of the music press review Opera Theatre's season every year, including
critics from the London Financial Times, the London
Sunday Times, Berlin's Opernwelt, the
New York Times, and the Wall Street Journal.
Last year visitors from 42 states and 9 countries traveled to St.
Louis for the season. In May 2000 Opera Theatre was one of 28 "exemplary
arts organizations" in the country chosen by the Ford Foundation
for a major grant initiative, and in June 2003 Opera Theatre hosted
OPERA America's national conference. |
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| Since its founding
in 1976, Opera Theatre has been known for unconventional repertory.
OTSL has presented eleven world and nineteen American premieres
- perhaps the highest percentage (27%) of new work in the repertory
of any US company. All productions are sung in English, in a small
(987-seat) theater which gives OTSL productions a tremendous dramatic
impact. The company is also known as a showcase for the very best
American talent; each year the roster at the Metropolitan Opera
includes more than sixty artists who appeared with OTSL early in
their careers. Education programs presented throughout the year
reach over 12,000 students and adults. |
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| ABOUT
OTSL INTERNSHIP PROGRAMS |
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| The company is known as a center for training young
professionals in all aspects of opera. Several current Opera Theatre
staff members started as OTSL interns, and other graduates of the
administrative internship program are working at arts organizations
around the country, including the Santa Fe Opera and OPERA America.
General Director Charles MacKay began his arts management career
in a variety of seasonal positions at the Santa Fe Opera. |
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| Opera Theatre internships offer the opportunity
to meet a wide variety of people both in and beyond the company.
A basic familiarity with (and enthusiasm about) opera and classical
music is a great help, because it cuts down the amount of material
interns must assimilate and adds greatly to interns' enjoyment of
the activities offered during the season. Interns will participate
in seminars with members of our administrative, artistic, and music
staff, and are invited to attend additional lectures, recitals,
and rehearsals as their schedules permit. |
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| GUIDELINES |
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- All internships are full-time, paid positions.
Starting dates vary (see job descriptions), and some positions
offer part-time work in March or April. Hours may include some
nights and weekends.
- The majority of our interns are college students
or recent college graduates, but any qualified applicants interested
in pursuing a career in arts management will be considered.
- Housing is not included. Short-term options
are limited and may be prohibitively expensive.
- Positions will be filled starting in March.
There is no formal application deadline, but it's advisable
to send in your materials as soon as possible.
- To apply, please send a resume, references,
and cover letter to Maria Schlafly at the above contact information.
Please indicate which internship interests you the most and
when you might be available for an interview in St. Louis.
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| Development
Intern |
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| Dates
of employment: |
May
1 - June 30 (part-time work in April possible) |
| Works
with: |
Development
Department |
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| The Development Intern assists with Opera Theatre's
season events, which include approximately 50-60 dinners and receptions
for patrons, as well as a gala benefit. Responsibilities include
organizing invitation mailings, tracking responses, updating event
attendee lists, event set-up and clean-up, and volunteer management.
This position is very detail-oriented and requires good organizational
skills. Event management experience is helpful but not required.
Word processing and spreadsheet literacy is required. The Development
Intern will be trained in Tessitura, Opera Theatre's development
and box office software. This position requires a self-motivated
individual, able to interact with donors, volunteers, and staff
in a range of professional and social situations. |
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| Patron
Services Intern |
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| Dates
of employment: |
May
1 - June 30, (part-time work in April possible) |
| Works
with: |
General
Director's Office, Development Department, Artistic Department,
Communications Department |
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| The Patron Services Intern makes arrangements for
Opera Theatre's VIPs, both in-town patrons and out-of-town patrons,
artists, critics, and agents. Responsibilities include organizing
transportation, accommodations, and welcome baskets, as well as
helping with season events, which include approximately 50-60 dinners
and receptions as well as a gala benefit. Hours can be long, since
many season events are during the evening. This position is very
detail-oriented and requires good organizational skills, as well
as word processing and spreadsheet literacy. This position requires
a self-motivated individual, able to interact with donors, volunteers,
and staff in a range of professional and social situations. An interest
in opera and classical music is helpful. The Patron Services intern
must have his/her own transportation (company mileage is reimbursed)
and a good driving record. |
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| Public
Relations/Marketing
Intern |
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| Dates
of employment: |
Mid
May - End of June |
| Works
with: |
Director
of Communications, Director of Operations and Audience Development |
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| The PR/Marketing department offers an internship
for someone with very strong writing and organizing skills. This
can be a wonderful experience for a quick learner and willing worker
who can be flexible about hours and duties, work independently on
several projects at once, and tolerate working at close quarters
in a small office as a member of the OTSL team. An important responsibility
of the PR/Marketing intern is organizing and captioning the digital
images which will be sent out to press during the season and serve
as a permanent archive for the company. Other assignments can vary
from sitting in on rehearsals (to identify singers and staff) to
assisting with mailings to transporting visiting critics. The PR/Marketing
intern is sometimes called on to help coordinate on-site media events
and to work with the Development Department on dinners and receptions.
The PR/Marketing intern must have his/her own transportation (mileage
for company errands is reimbursed) and must be willing to work some
evenings and weekends. |
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| Business
Intern |
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| Dates
of employment: |
Mid-April
(if possible, hours flexible) - End of June |
| Works
with: |
Director
of Finance, Senior Accountant, Accounting Clerk |
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| The Business Intern must be accurate and detail-oriented
and have the ability to deal solicitously with the public and co-workers.
Strong spreadsheet and word-processing skills are essential, and
a background in intermediate accounting is required. The candidate's
work habits should be project-oriented, not time-oriented. Duties
include but are not limited to cash reconciliation and deposits,
generation of income reports for concessions and front-of-house
activities, analysis of ticket sales, accounts payable and payroll
assistance, and data entry. The Business Intern will represent the
business office at 10 to 15 main season performances (afternoons,
evenings, and some weekends from mid-May through the end of June).
The position requires that the candidate have his/her own car (mileage
for company errands is reimbursed). |
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| Photography
Intern |
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| Dates
of employment: |
Early
May - End of June |
| Works
with: |
OTSL
photographer Ken Howard |
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| Opera
Theatre's photography internship offers an invaluable opportunity
for a photography student to work with internationally-known theater/opera
photographer Ken Howard during the fast-paced environment of a festival
opera season. The position requires a familiarity with basic photographic
techniques, as well as knowledge of scanning equipment and Photoshop.
Additional training on specific equipment will be provided as needed. |
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| The photo intern will assist Ken Howard in many
areas, such as shooting rehearsals and special events, processing
film, working with images in Photoshop, and filling artists' photo
orders. Opera Theatre's festival schedule places many tight deadlines
on the photography department, so the photo intern must be able
remain calm under pressure and must be willing to work long and
irregular hours when needed. The darkroom is neither spacious nor
luxurious, so flexibility and a sense of humor are absolutely key. |
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| Education
Intern |
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| Dates
of employment: |
Late
April - End of June |
| Works
with: |
Education
Department |
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| The Education Intern will perform administrative
duties that support the education department's season activities
for young people and adults. This individual will work collaboratively
with staff, volunteers, artists, students, teachers and constituents,
assisting with approximately eight educational programs including
Artists-in-Training College Retreat, Spring Training, A Little Lunch
Music, Spotlight on Opera, Dress Rehearsals, Opera from the Wings,
Music!Words!Opera! Festival Camp for Kids, Music!Words!Opera! Teacher
Training Workshops and other miscellaneous seasonal activities.
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| The ideal candidate should be working toward a
bachelor's degree in music, theater, arts management and/or education.
Extraordinary attention to detail, ability to manage multiple projects
simultaneously, good people skills and excellent oral and written
skills are a must. Previous leadership experience in coordinating
and/or implementing programs is helpful, and proficiency in word
processing necessary. Knowledge of singing and opera repertoire
a plus. |
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